when we launched our digital imprint in 2013, one of our explicit reasons for doing so was to fund a vinyl label. it may have taken us four years to get to this point, but we’re finally here - fkofv001 is upon us. the debut fatkidonfire physical release sees new artists join our roster. taiko’s untitled grime has been blowing up the dances for a hot minute, championed by the likes of truth, spooky and many more. spooky even named the tune in his fact mag top ten most prized dubplates list! we linked taiko up with mancunian wordsmith skittles (currently smashing it with the levelz crew), and “don’t be stoopid” is the anthemic result. fkof fam and producer extraordinaire district adds an industrial grime-esque flavour to his remix for a killer one-two punch. the two producers collaborate, for the first time ever, on the b-side, entitled “yokai”. it’s a tune that demonstrates why we signed both musicians incredible atmospheres, depth and weight. beau at ten eight seven, as ever, has mastered the tunes to perfection. we’re proud of this release and, on first listen, we hope you’ll hear why...

six years after their debut release on all inn, premiesku is back to the label with a brand new three tracker. last man on moon brings the usual winner formula of the trio. the proper hypnosis of drum machines, featherweight spacey themes with a pinch of classical house flavour on the top. a must have record for all periods of the weekend.

texas recordings underground follows up the first various artists cyber tex ep with the texas intrumentals ep, featuring deep techno from 4 well-respected producers from the lone star state - convextion, brooks mosher, ill76 and submersible machines al contribute. check!

inclusivefour locked grooves! long running label dont presents 2 beast tracks from minneapolis techno legend paul birken making his 5th appearance on the label. paul has been in great demand the last few years regularly touring the usa and europe with his incredible live set up. these tracks both feature his trademark heavy crunch and literally pummel any sound system theyre played on. also included are 4 rock solid locked grooves featuring beats from the tracks. this release is presented on clear 10inch vinyl and is strictly limited to 300 copies.

limited edition us re-issue of this very rare 4 track remix ep from e.s.g., was originally released in 1988. >party music< is in my opinion the best esg track ever and has been nigh on impossible to track down since its limited re-issue on joakims tigersushi label several years ago.

berlin legend charlie smooth is back at it, spreading good vibes with a new ep packed with delicious cuts. after seven years of organizing and playing his infamous get deep parties at about blanc where he was a pioneer of bringing the disco and baleric sound to berlin’s house scene, charlie has started a new chapter as one of the founders of smooth operators. while he still rocks the decks on a regular basis at his new party disco train and plays around europe spreading his disco and baleric sound, charlie’s focus with smooth operators is all about translating the years of knowledge gained digging and playing with some of the greatest djs of our time into putting out records with only the best quality tracks.
on this debut release, all four tracks are examples of true digger’s delights and super rare, esoteric sounds that djs can use to really set off the vibe on any dancefloor. with smooth operators vol 1, the label is making a strong statement that they are ready to put out real top quality tracks that can be enjoyed by diggers, djs, disco, funk, and soul lovers alike.

recorded live in central park, new york city, september 19, 1981. pressing on 180 gram double vinyl, housed in a gatefold sleeve.

mick has been active in the seedier corners of electronic music for more than 30 years, first immersing himself in the world of hi-nrg and new wave before embracing the house, techno, acid and electro explosion of the late 1980s. aligned with dj hell in the 90s and more recently the intergalactic fm crew, hes the quintessential selector. a life spent digging in the undergrowth for deviant dance music has given him the edge that makes a truly gifted spinner, without riding on hype or studio productions. however, mick isnt adverse to the odd outing on vinyl, having previously appeared on international dj gigolos both solo and as the kinky lovers with sometime partner isabella venis, but these moments are few and far between. for this release on arma, mick has given us two edits that speak to his distinctive style as a dj the original tracks are cult choices re-moulded into deadly, subversive club weapons. the brooding darkwave of himmelfahrt 89 is enough to turn the most indifferent bar crowd into swaying, baying denizens of the night, while stay silent pummels out a relentless electro motif that teeters on the edge of destruction for 11 thrilling minutes. these arent crowd-pleasing dj tools, and neither are they slick and easy edits of obvious classics. this is a peek into the inner workings of a man with decades of experience working masses of flesh into a sweaty fever pitch using sounds youve never heard before. the mastering on micks edits was undertaken by none other than dutch electro legend rude 66, while the striking artwork on the sleeve sees arma reach out for the first time to french artist judex. the nerve-shredding, broken op-art assault was originally found in a book published by cult illustrator sam rictus.

jamie jones, reboot, jc fousdelamer remixes + original ...
the latest instalment on christian burkhardt s retrospective/future-focussed c&b sessions projects sees him returning to one of the pivotal tracks of his career: doubledub released in 2009 but still slapping with finesse almost ten years later with its low-swung bassline, latent funk and evocative vocal, its elements resonate perfectly with everything going on in house and techno right now. these remixes couldn t have landed at a better time... jamie jones rolls in with a timeless rolling gem that gradually builds into an impeccable late night jack-out laced with surprise acid tendrils. jc fousdelamer brings the feels with a much slower, cosmic trip that lingers softly with spellbinding dubbed-out magic while reboot unearths the techno beast that was always lurking beneath christian s funk. stripped back machine funk at its finest, reboot never disappoints. naturally christian has also provided the original source material for those who want to kick it 2000s-style and for those who weren t old enough to catch it the last time around. join in if you know the chorus, doobie doobie...

eric maltz is a producer from new york city and now resides in berlin, germany. he is a former employee of halcyon records from its og glory days in it s first location in red hook/carrol gardens areas of brooklyn. -eric provided a sofa to me often through-ought my 20 s and vice-versa, we both cared about music above all else- we lived and breathed music- and we helped each other survive when we were penniless - if one was up, so was the other... eric and i were roommates, friends, we looked out for each other in a rough city with tough rules. every time one of us got a job at a restaurant or record shop, within weeks we would have the other working there too. we did that for a decade. we slang records for years at halcyon- a shop on smith street which had a portrait of stevie wonder painted on the front facade- and we threw parties all around brooklyn back then too.. every shitty bar that would have us lol. we were a dope team. he s the only person who has ever touched the third rail on a subway and survived too! true story. so you know i couldn t wait to release his debut lp. proud of this guy- - levon vincent

this is volume 1 out of 2 of hip hop gone wrong from john daly s west 2 west project. following up last years well received the smoke clears, john daly returns to the label under another alias west 2 west which was debuted on jheri tracks vol 1. equally as atmospheric as the ethereal smoke clears, this project is the result of his ongoing hip hop obsession. mpc workouts inspired by current listening, the result isnt quite hip hop, but sits nicely in the all city beat discography. there s an after hours headphone feel to the set spanning twenty four tracks split evenly over two 12 inches volume 1

finally a fresh mcde is announced! new one from long time deep house/broken producer, pablo valentino... . its been four years since label co-founder pablo valentino became a daddy, and almost as old is the idea of him releasing a record on our imprint. so what makes more sense than to dedicate this record to hugo-joão, his son? on -my son s smile- we can hear a recording of hugo-joão s laughter over a mellow, summery house track that has been a big favorite of danilo over the years. with a little help from lyon producer patchworks, who played bass on the track, valentino pulls off one of his most sophisticated productions yet.

swat s third release & detroit is in the house ! there are times in which you can clearly mark a producer s evolution. when they stop inching towards growth and make a bold statement of change in capability and vision. such is the case with this ep from detroit-based disco guru, pontchartrain. after a few years of steadily pushing out some significant pieces of work that have increasingly straddled the line between originals and edits, and nearly a decade of studio experience, his long overdue official house music debutante has arrived. featuring detroit local soul artist, coko buttafli laying down some blistering vocals with a clearly positive house music message, on top of live percussion and keys, and bold analog drum rhythms, pontch has created a solid diva-house gem. the sneaky festival-ready banger, loose , performed, mixed, and overdubbed live, provides some fantastic contrast and versatility to the release. a mr. g-esque remix by dj phenom just alexander and the musical journey of topher horn s evolving and deep version on the flipside make this a well rounded record that will undoubtedly stay in your bag for a good long while, and will find its way back in for years to come.

unknown mobile has quietly carved out a place for himself in the ever-evolving vancouver beat camp among contemporaries like mood hut, 1080p and project pablo. last years no motion 12 on a/s/l singles club was levi bruces dreamy introduction to most, and 2017 finds him stretching out a bit to further expand his palate of rhythms and textures across the five track mixed use ep for young adults. four sided pebble is a breezy bouncer woven with tickled keys, raw bass and a seamlessly organic live feel throughout. shoreline dub pulses in stuttered syncopation, but keeps its sights set on the dusk dusted horizon with delayed rhodes chords and ocean swells. country side is a total mind-melt, a pastoral graze through mazes of circuit board crop circles. the juggler churns a buttery 4/4 beat in an echo chamber, while proteus 216 dims the lights on its way out to an interstellar communications convention.

orbis x is a sublabel of orbis records and will be mainly focusing on softer yet often usable as dj material for the broader mass interested in electronic music. this sublabel is an extension of orbis records softer, more melodical and experimental side.
music will be ranging from house, dub, chicago over melodic acid and even breaks. not any track makes it to this sublabel if it can t stand on its own and stand the test of time! we warmly welcome the dutch duo dennis pors & stephan de bruijn to orbisx. new fresh talent, ready to conquer the world. we feel obliged to support these fine gentlemen to get their music spread across the globe. dennis & stephan know each other through their musical perspectives.
they share a similar taste for music, detroit techno. before they worked together, dennis experimented with deep house through digital synths and learned the ins and outs of programming music in logic.
stephan was well known with the detroit techno scene. his passion goes out to well balanced electronic music with hypnotizing emotional feeling to it. add a layer of atmospheric grooves on top of that and you have the perfect blend to potential timeless music.
soon enough they made the switch to analog gear to be able to create a cleaner and better sound. after three years of hard work, they have reached the sound they were looking for. and this is it!

born in a cave in bordeaux, radiante pourpre is one of the many children of simple music experience, a collective and label floating somewherebetween marseille, paris and bordeaux and which inexorably attracted to itself many outsider experimentalists from the french electronic scene for the past few years. antinote is now reissuing a long out-of-print tape that the duo recorded in 2014 in brusselsÆ art space komplot.

i try to perform as honestly as possible — the soundbite borrowed from late dancer dudley williams for this record s second track could have been uttered by the mole himself. it s this candor that has allowed us to bear witness to a very marked and very audible transition from his days as a producer in montreal to becoming a part of the berlin scene. and what we have here is one result of that very explicit sonic metamorphosis. de la planet is our dyslexic subject s third studio album, one that stays true to his ethos of weird above all in the best possible sense. and yet it feels like something distinctly new. tapping his enormous reservoir of vinyl and sampling the odd film have acted as complement to the jaw-dropping arsenal of synthesizers at de la plante s disposal—a battery of machines he s been quietly improving his skills on during the past few years. or not so quietly, perhaps. the man himself would probably say -i m coming out of the woodshed-, and go off on a tangent about sonny rollins and his saint of a wife. but that s a story for another sheet.

ltd coloured vinyl edition..... aus großen melodien und strapazierfähigen elektronischen teppichen gestrickt, ist -love what survives- gewissermaßen die essenz ihres bisherigen schaffens, indem verschiedene gesangsgäste und musikerpersönlichkeiten (james blake, micachu, king krule) hinzukommen, um gemeinsam zu experimentieren, formen neu zu denken, dinge auszuradieren, mit pop-Überlieferungen zu spielen, alles zusammen wachsen zu lassen. die neuen tracks enstanden größtenteils auf zwei vintage-synthesizern

eliphinos joy in repetition imprint presents will lister s sophomore release, space to breathe. after a solid introduction to the world on phonica records in 2015, this ep finds will in strident form displaying production acumen that belies /beyond his 20 years. floating around the 110bpm mark, there are prominent elements of jazz, hip hop and house music. his production efforts create a warm ethereal atmosphere cut with a tough percussive edge. this prodigious young producer has a great deal of talent and will be someone you ll hear a lot more about in the coming years. dj support: larry heard said: very nice! thanks… midland: lovely this is! john m gomez karma is bubbling really nicely, thanks! alex nut: yeah this is wicked, will is defo one to watch, i ll be showing this release some love 4 sure. graham lockhurst (mr bongo) big fan of will. this is excellent

ugly papas were one of the leading acts in the belgian rock scene in the early part of the 90s. 23 years after their final release, they are back with their third full-length album. feisty indie rock, jazzy loops, zappa-esque episodes and fela kuti rhythms. with luc dufourmont (two russian cowboys, id!ots, bevergem) on vocals.
the vinyl release includes a download code.

(rollmottle remix) norwegian producer marius circus has been steadily carving out a name for himself over the past few years, with releases on prins thomas revered full pupp imprint, a ten minute acid tinged rework of seahawks for the ocean moon imprint and recently the launch of his very own in the garden. sentrall records very own rollmottle, one half of project sandro, steps up to deliver his take on ‘shorelines.

coming off the back of 2 years running strictly-vinyl-only acid house underground parties, the downfall crew all veterans of the 1980 s london acid house scene have put together their debut 12inch. straight out of wandsworth ep. four jacking analogue machine-driven tracks. all hardware. vinyl only. no digital.

bleu nuit (bn) is glad to introduce you to its first release a night on planet earth (bn01) by barcelona-based italian artist flavio folco. known for his musical compositions on his late imprint fresh food (napoli), among others, flavio folco has also made a name for himself as a dj with multiple appearances alongside his friend joseph capriati. whereas a night on planet earth could have seen the light of the day in 2015, when lumièreslanuit (lln) got the demo through a friend, it s finally two years later that the four-tracks ep is finding his place on bleu nuit, and not just any as it is kicking this new project off and paving the way for other break & gangster beats.

first release on his new home mad recordings is by ortella, as an engaged manifesto, music is my shelter is a statement in a pure garage house classic style, 3 versions of the same hit flavored with some mad rhodes by françois a.
ortella, -the king of clubbing in lyon- is back with a new record label, merging all the projects they starts with his partner kaïs in one unique home, mad recordings. the first release on the platform is by the french man himself, served as an engaged manifesto, music is my shelter is a statement for all the house producers around the world, talking about the years of struggle, the faith in the music as an art and the joy to see one day dreams comes true. no surprise about the style, it s a pure garage house ep released in the old style way, with 3 versions of the same hit! original de luxe is a classic extended cut, club friendly, rich of flavor with flying and crying rhodes keyboards by the talented françois a. an anthem that transports you to a time where house music was a religion and clubs were churches. intro de luxe version is a shortened version, perfect to starts a night with the right mood without announcing too much, just enough to warm-up the dance floor with some emotion. dub de luxe is for more modern purists, putting aside for a short period the piano rolls and focusing on what ortella do the best, percussive drums with no compromise, made for releasing the energy level straight from dancers to the floor.

nyc’s disco powerhouse west end records should need no intro. the home of too-numerous-to-list club classics for over 30+ years is still impacting today on what we know to be club culture. the label started by one mel cheren (rip) with assistance from larry levan and more way back in 1976 is still held in such high regard today with it’s catalogue constantly being played, rediscovered, reinterpreted and loved by waves and waves of new fans and admirers.
the west end story vol. 4 is an essential overview of this most iconic of labels and some of it’s more under the radar output, following on it’s from it’s predecessor the quality bar is obviously set extremely high, one only has to look over the tracklist to see the names and titles that are included! rare and overlooked cuts from sparque, debbie trusty, barbara mason, ednah holt and more make up 4 joyous sides of essential forward looking post disco classics - we’re talking late 70’s, early 80’s, synths, mega overdubs, left-field arrangements and anything and everything in-between.
a truly golden era of dance music history, names like tom moulton, tom savarese and more make up some of the talent featured on this flawless selection of goodies. oh, and for the record (no pun intended) these are all the extended mixes, 12” versions and special cuts, all killer - no filler! all tracks featured re-mastered, re-pressed and re-released with the permission of and in conjunction with west end records, new york city / bmg.

repress , swedish disco aficionado drop out orchestra has been plying his trade in the world of slick edits and on-point party fodder for the best part of ten years now, and now he comes to riot gear with a sure fire club classic to share. there s no prizes for guessing the source material on -holding on-, but in this context the evergreen crossover jam gets a modern steroid injection, having never sounded more contemporary than here. yam who? sidles in for a remix that does a subtle job, simmering down some of the familiar vocals and making a slinkier cut that still hits hard. -knucklehead- brings a little more jacking drum machine action to the table, but still disco is the main order of the day, while -where is my man- takes the prize with its on point jazz funk licks and stomping beat.

having become one of the uk’s most exciting acts over the past few years releasing their bass-heavy brand of garage and grime across labels like black butter and mta, my nu leng go back to their roots as they deliver their very first drum & bass ep. and as you’d expect from a duo who’ve been drawn in to remix the likes of naughty boy, rudimental and clean bandit, it’s big and it’s very, very clever.

spearhead records label boss steve bcee returns with his 4th studio album, and itÆs safe to say that itÆs his best one yet. not just a solo affair, bcee has also drafted in some of the finest vocal and production talent around. with features from two time best d&b vocalist winner riya and d&b legend logistics being just the start. northpoint is bcee at his most diverse. from the early 90s hardocre influenced keep moving on to the jungle roots of hollow eyes this is an album that really showcases how broad the d&b spectrum can be while still keeping to the spearhead ethos of being uplifting musical d&b packed full of heart & soul. bcee said i wanted to make an album packed full of d&b that would work in a club just as well as it would in the car. no fillers, no showcasing how i can produce house or hip-hop or whatever, just pure no nonsense drum & bass. with bceeÆs spearhead presents brand regularly selling out shows at clubs like the legendary egg in kings cross & shoreditchs village underground, plus his growing dj & production schedule and the vanguard project his alias as a duo with fellow d&b produced villem, itÆs safe to say that even though bcee has been in the game for 16 years, heÆs only just getting started. support from friction, mistajam, metrik, technimatic, s.p.y, nu:tone, logistics, london elektricity and a whole load more

first time band anthology - includes 9 unreleased tracks! this fall, the independent literary press all night menu will publish sam sweets hadley lee lightcap, a nonfiction novel that traces the backstories of the three members in acetone, a band that played in los angeles for nine years. though few heard them, their recordings are time capsules of who they were, how they lived, and where they came from. light in the attic has partnered with all night menu to present acetone 1992-2001, the first anthology of the trios music. the book and the album will be released at the same time.

originally released in 1991 as a limited run of 100 self distributed cassette tapes. the 5 tracks touch upon ambient, dub, house and balearic styles and show an ambition to create timeless music in the vein of william orbit, ultramarine and the orb. 25 years later these songs finally reach a wider audience....on cassette, again....for now.

antique fragments ep is the third release of our kommuna tapes imprint. the a side starts with a quirky fast-paced track created by a mysterious producer named schematix in 1997. thinktank, an electro/breakbeat act who signed his first and unique ep only a few years later in 2000, takes us on a punchy yet dreamy techno journey. on the flip side, after schematix undusted his hardware to extract the stems for the occasion, wizard sergio moreira mastered the challenge of creating a slower and deeper version of the track, while upcoming madrid talent javier moreno closes the release with a bouncy acid burner. track by track, we build a kommuna of artists who share our insatiable appetite for music discovery, guided by a certain vision of the dancefloor: deep stripped-down grooves, sometimes challenging, always with character.

after doing a couple of remixes over the past years noise destruction is back on hellcat tunes with a new ep. this dj duo from novi sad, serbia has released tracks for labels like neuform, laus, proloop, headtunes, itech soundsystem, people that make the music,etc. now these guys are delivering the versatile zeebeats ep, packed with true house grooves. heavy baselines, tight rhythms, old school chords and evolving synth lines is what this ep is all about.

joe claussell joined the mushroom house series! the new york city dj and music originator made one of his rare remixes. for the toy tonics series. claussell is a pioneer. blending african and brazilian rhythms with disco and house since the early 1990ies. inspiring the music world with his labels spiritual life music and ibadan records and with his legendary body & soul parties that he run for 6 years with francois k and danny krivit in nyc. for toy tonics he remixed an obscure afro funk song by german afro - kraut band karl hector & the malcouns and nicolas tounga, singer from burkina faso.

here comes the long-awaited third album of desolate. like a fine wine, after five long years in the studio it is ripe to be heard. vinyl tastes better...
2x12 inch lp, includes hq sleeve with 350g black caribic carton plus 2 sided screenprint with gold

thomas apokalypso marks his return to rett i fletta almost exactly 3 years after he started it with blusjketuta and apne slusa. and following a now famous winston churchill saying: this is not the end, not even the beginning of the end. this (apokalypso) isthe end of the beginning! and the rest is history. or simply great tekno not tekno. all available on full pupps techno not techno offshoot rett i fletta!

a return to the source: ribcage is where it all began for the dubfire project. after years of exploring, subverting and setting brave new benchmarks in the house world, this marked the start of ali shirazinia setting out to set the same creative benchmarks in techno. restrained, drawn-out but beastly when it wanted to be, the original was a serious statement of intent. even at the time you got a sense it was going to be a historic tune. loco dice especially felt that when he signed it to desolat 10 years ago. to celebrate this time-flying milestone, dubfireÆs recruited two of the most respected names possible for remix duties. first up, the unstoppable, unavoidable, unquenchable dense & pika who keep within the dramatic rising template but with a whole new set of instruments and texturesà and a percussion palette that absolutely sizzles when the whole groove kicks in mid-way. phenomenal. hot on their heels comes a unique remix invitation to on-u legend and one of the ukÆs most decorated and treasured studio controllers adrian sherwood. turning in a serious techno re-cut that pays tribute to every element and takes over 12 minutes to make sure they each shine amid the head-twisting pools of tripped-out decay, itÆs clear his time with pinch has had a profound effect. two incredibly well considered and detailed remixes that remind you what remixes should beà brave new chapters of a story we all love being told. these will sound great when the 20th anniversary remixes are commissioned in 2027.

nicolas bougaïeff presents his new ep on seminal british imprint novamute. as a producer he harbours a diverse musical background, having studied in a conservatoire setting whilst foraying into anti-authoritarian rave culture. he is also a respected lecturer, regularly teaching masterclasses in composition and speaking at global events such as mutek and ableton loop – the results of which come to life in the inquisitive spirit of his productions. cognitive resonance explores elements of acid, gabber and techno through a compositional lens, drawing on the artist’s love for avant-garde forms and long-standing relationship with the electronic music community. the title track lays out long, expansive phrases and warped crescendos to create a disorienting structure, whilst distant harmonies, distorted kick drums and shattering effects merge into a hypnotic form on ‘truthful hyperbole’. lastly, ‘fake news’ mangles our sense of rhythmic familiarity, disrupting the 4/4 beat with a complex metre and sinister melody. listen to the title track here. nicolas will follow this release with an album on his own denkfrabik label, ‘principles of newspeak’ is due out on the 24th of november. this is novamute’s first release since motor (bryan black and oly grasset) over ten years ago. the label, a subsidiary of mute (depeche mode, goldfrapp, new order, liars, erasure, moby), began in 1992 as a response to the growing demand for techno releases in the uk. originally presenting white labels and imports, novamute went on to release records by plastikman, speedy j, juan atkins, luke slater and joey beltram to name a few, as well as forging invaluable links with labels such as tresor and probe, which allowed them to license rare tracks for a wider audience. forthcoming releases on novamute will include eps from terence fixmer and charlotte de witte.

following a superb remix of hakimonus æinsular realms in 2015, ed davenports inland alias returns to deepa & biris black crow recordings with a brand new ep for the labels tenth release. having played a key role in the relaunch of functions infrastructure new york imprint, in addition to operating his own widley admired counterchange label, davenports techno project has brought the englishman to wider recognition as one of the genres most talented producers. the new eps three original tracks finds inland exploring all facets of his diverse sound: a1, æmetatlantic is driving, acid-laced techno, æcosinaxis, employs electro beat patterns and idm aesthetics, b-side opener, ælagoon9, is a melodic detroit-indebted big room weapon. closing out the ep is a remix of from 3kz aka italian duo z.i.p.p.o & kaelan, the latter of whom provided one of black crows standout releases so far under his 2030 alias with last years timeworm ep. their remix of æcosinaxis follows hot on the heels of their debut album æparallel reflections, released earlier this year on z.i.p.p.o.s fides imprint.

originally released as a b-side in 2007 on figure’s then-sublabel podium, len faki’s ‚my black sheep’ was one of those rare tracks that unpredictably take on a life of their own. a veritable underground hit, it not only came to define the sound of len faki at that time but for many became equally synonymous with the state of the scene in berlin around that time. now that ten years have passed since then, we felt it was about time to finally treat the sheep to a fresh shave

musically and emotionally, superpitchers third full-length studio album, the golden ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally. and full-length it is: the golden ravedays is an epic album of 24 tracks that was released in january 2017 and is stretching over 12 respective chapter albums during a one-year period. the 9th link of the golden ravedays chain will be released on hippie dance in september 2017. where number 8 of the series took us to outer space, number 9 introduces two tracks that are an under-water celebration of all that is good and all that is sad. side a features hiding. imagine galloping sea horses pulling a christmas chariot filled with dreams-come-true past enchanting mermaids, smiling sharks, waving tortoises and nonplused eels, leaving a gifted blanket of mystical sound in their wake. hiding stretches and breaks into many layers of listening love without enforcing one particular sound. side b features flying. the piece is occupied by a subaquatic melody colored by whale sounds and the echoes of immersed guitar strings. flying is not about complex development or diversity but the weightless drifting of sounds that create a wonderfully hazy cloud to lose oneself in and fly, deliciously with the dolphins. rest assure, the ending is be speckled with whimsical chimes showers, paving the way for the softest of landings

chico buarque construcao revisited by l_cio is a beautiful debut project part of a doc series of releases combining classic brazilian names with doc artists and producers. l_cio (laercio schwantes) the man with the transverse flute known for some of the freshest and unique tracks coming out from brazil is behind this gemstone. increasingly building a legacy of fans following his live performances and recent releases on doc records (vazio, traffic, people talk, schwantes), this man is a non-stoppable 30 hours machine gun. on this long awaited 2-track limited edition vinyl release, l_cio and gui boratto kept the roots of this classic track construcao. however they added all the proper elements of a techno dance floor knockout. by inserting malicious baselines, flutes and strings they generated aggressive melodies while keeping all characteristics of this epic song. voted as the greatest brazilian song by rolling stones magazine, construcao was originaly recorded by chico buarque in 1971 with production by roberto menescal. released during military dictatorship, chico buarque criticizes the way of life of the brazilian workers, comparing them to machines. the song is known for its interchangeable last words, used as if they were pieces of a board game, as said by buarque. generatiions apart, construcao (l_cio & k_ri version) and construcao (l_cio & borattos deconstructed mix) are the first ever authorized remixes in over 45 years. l_cio the latest dance floor brazilian soldier, a menacing builder of beats completes an epic turnnig point by editing and lapidating a classic poetry. with a b side dub version beutifully crafted by label boss gui boratto, this limited edition pearl is finally here for our joy!

another piece of the story of the italian scene of the 90 s inevitably returns to shine on flash forward. leo anibaldi was one of the pioneers of the sounds that so influenced and characterized those years. deep, techno and house blend to create unique atmospheres that will never die! big reissue.

another piece of the story of the italian scene of the 90 s inevitably returns to shine on flash forward. leo anibaldi was one of the pioneers of the sounds that so influenced and characterized those years. deep, techno and house blend to create unique atmospheres that will never die! big reissue.

solar phenomena is a brand new label on an exciting astral crusade. the take-off pilot for our virgin mission is none other than decorated polish producer echoplex. one of the country’s first breakthrough international techno artists, his body of work dates back almost 20 years while often taking us 20.000 light years forward. this is no exception.

after two years of silence and two tracks surreptitiously posed on the canvas, it is with the four captivating titles of the ep bleu nuit that the group finally confirms its talent to the general public...o.

white double vinyl plus 16 unique emblem stickers and download code.
seattle rapper/producer grieves emerged in 2007 with his independently released album, irreversible. in the years that followed, he wholly devoted himself to touring, writing and recording, honing his craft and defining his sound. his 2011 rhymesayers debut, together/apart, was a career landmark and a testament to his growth in both, his writing and delivery, and this progression was re-affirmed by his follow-up, winter & the wolves, in 2014. now, after three years, grieves prepares to reveal further evolution with the release of his new full-length album, running wild.
on running wild, grieves teamed up with swedish producer chords. together, the two have produced a modernized sound that is lush and intoxicating, pairing punchy drums with thick layers of synths and warm bass lines, all accented by soulful keys, horns, or guitars. whether dark and moody, or upbeat and jazzy, grieves navigates and complements the soundscape, penning verses that range from vulnerable and confessional, to fun and carefree. grieves is most certainly breaking boundaries, truly running wild, all while remaining honest to himself.

the companion album to the ron howard film “eight days a week - the touring years”. remixed from the original multi-track, featuring previously unreleased tracks. housed in a gatefold sleeve.

following their 50th release milestone cpu celebrate 5th anniversary with a 2x12- lp remix compilation. cpu has been reticent in regards to remixes, with a grand total of zero during its first five years of existence. this all changes with this dedicated remix compilation celebrating the label s 5th anniversary. the exalted roster have chosen their favourite tracks to remix from the label s back catalogue and are brought together in a very special 2x12- gatefold sleeve. b12, jensen interceptor and morphology all make an appearance alongside some of the label s seldom seen artists. there is also a posthumous microlith remix of tryphème - mélodramatique. electro has again proven its staying power and cpu has played a key role in championing some of the genre s greatest: bringing new artists to the front line and cementing the status of the established. this five year celebration showcases the diverse tastes and backgrounds of the roster, crossing many genre boundaries - all executed with precision and attention to detail that the label is known for.

ltd warehouse found ! ** ltd vinyl only **, underground electronic music label minimood celebrates ten years of existence with a special double 12 inch vinyl only release, presenting finest dub infusions by luke hess & sascha dive, delano smith, steve o sullivan, and tobias.